punk rock warlord

Jul 30

Download Outré #3 now! -

I have two stories in this free anthology (and gilesdraws was the artist on one) and I highly recommend it!  The work is always quality and there are a lot of cool things to explore.  This issue’s theme is “xenophobia,” so it’s a bit of an odd bird, as the Outré books tend to be.  Check it out!

Also, in case you haven’t yet seen it, here is the link to Outré #2, in which I also had two stories.  That issue’s theme was “hopelessness,” so it isn’t exactly a fun romp through the landscape of the human mind, but it is fascinating.  And hey, more free comics!

Jul 29

[video]

Jul 22

Jul 17

Jul 10

[video]

Jun 18

Jun 12

Chromatin: From nucleosomes to chromosomes -

modernprometheusscience:

After speaking at this Wellcome Trust scientific conference recently, I was offered the chance to write a conference report for Abcam.  It’s gone live now, and I wanted to share it, as it’s quite a privilege to have gotten to do it!  Hopefully, I’ll get to do a lot more of this sort of thing in the future…

Jun 02

I’ve been working hard on comics lately, and today, two of my projects have gone live on Kickstarter.  I know that, like me, most of my friends are on a tight budget, but if you love comics, love stories that go beyond just “tights and capes,” love art and fantasy and science fiction and independent creators… then maybe one or the other of these fundraisers will interest you!

Torsobear is an anthology based on a “fluffy noir” world of toys where all is not as it seems.  The author’s description says, “Ruxby Bear and Toyburg PD investigate cases of violence, corruption and murder in a city of toys.”  The book’s beautiful and has a wide range of styles, all full-colour and with cool rewards and perks for early backers.  Here it is!

Deviants is a story about superpowers, but it’s nothing like a traditional superhero comic.  The author’s description says, “A diverse young cast of genetically gifted “deviants” struggle to escape their island prison, uncovering dark mysteries in the process."  There’s gorgeous artwork, an intriguing storyline, strong female characters, ethnic diversity, and all kinds of awesome stuff.  Take a look!

Both of these projects are really cool, and I’m thrilled to have been lucky enough to work with such brilliant creative teams.  Please, if you have some spare change lying around, consider backing one of these projects, because I’d like to be able to continue working with them, and because these are some super badass comics you should read!

May 23

A mixtape for my friend Kat, only a shameful three months late.  With thanks to Giles for advising.
Who died and made you king of rock’n’roll?
Forty-two tracks (of course).  Two and a half hours long.  Ska, punk, post-punk, classic, modern, melodic, hardcore, angry, energizing, weird, familiar, uncommon.  Tracklist here.

A mixtape for my friend Kat, only a shameful three months late.  With thanks to Giles for advising.

Who died and made you king of rock’n’roll?

Forty-two tracks (of course).  Two and a half hours long.  Ska, punk, post-punk, classic, modern, melodic, hardcore, angry, energizing, weird, familiar, uncommon.  Tracklist here.

May 15

Let’s talk about Rob Gretton.
(And please, God, forgive Giles for the picture.  He was channelling New Order’s Play at Home.  He says he reckons that if Rob was willing to interview himself in the nude for an hour-long television special, he would probably have approved of this.)
You guys know how I feel about Rob Gretton.  He was amazing.  He was connected to every inch of the punk and post-punk world.  Rob put out fanzines, he DJed, he scouted talent, he co-founded the Haçienda and the Dry Bar, he ran his own record label, he managed bands, he managed Factory Records, he tried valiantly to manage Joy Division and New Order…
Rob Gretton was a miracle worker.  He managed to stay sane in the madness of the Manchester music scene.  He managed to make people get along and artists work together when anyone else would’ve watched things go down in flames.  He managed to get gigs organized, tours arranged, solve problems by sheer blind determination that would have felled a lesser man.  He managed to build a legacy, with Tony Wilson, with Factory, with his bands, with everything he did, that’ll never be forgotten.
I trust Rob implicitly.  If I ever see a record with his label stamped on it, I buy it, because even if I’m not familiar with the band, I know it’ll be good.  Anything with his name attached is going to be good, and even if it isn’t, it’s going to be fascinating.
You’ve heard my thoughts (and Jez Kerr’s) about Rob before.  You’ve probably seen the FAC:ABC page, R is for Rob Gretton, and heard about some of his more creative approaches to business and to life.  You know how much I respect Rob and his legacy, and how much I want everyone else to know about the incredibly important role he played in punk, post-punk, house, dance, the entire Manchester scene, with hardly any recognition.  Certainly never enough.
If you want to know more about Rob and the things he did, try 1 Top Class Manager, a collection of all of the notebooks and sundry items he kept as manager of Joy Division and New Order.  Or read Peter Hook’s books, The Hacienda: How Not to Run a Club or Unknown Pleasures: Inside Joy Division, both of which have some great stories you won’t find anywhere else.
Or better yet, if you want to know more about Rob and the things he did and the way he changed the world of music, put on a record.  Listen to the musical world he helped to build.
You’ll see what I mean.

Let’s talk about Rob Gretton.

(And please, God, forgive Giles for the picture.  He was channelling New Order’s Play at Home.  He says he reckons that if Rob was willing to interview himself in the nude for an hour-long television special, he would probably have approved of this.)

You guys know how I feel about Rob Gretton.  He was amazing.  He was connected to every inch of the punk and post-punk world.  Rob put out fanzines, he DJed, he scouted talent, he co-founded the Haçienda and the Dry Bar, he ran his own record label, he managed bands, he managed Factory Records, he tried valiantly to manage Joy Division and New Order…

Rob Gretton was a miracle worker.  He managed to stay sane in the madness of the Manchester music scene.  He managed to make people get along and artists work together when anyone else would’ve watched things go down in flames.  He managed to get gigs organized, tours arranged, solve problems by sheer blind determination that would have felled a lesser man.  He managed to build a legacy, with Tony Wilson, with Factory, with his bands, with everything he did, that’ll never be forgotten.

I trust Rob implicitly.  If I ever see a record with his label stamped on it, I buy it, because even if I’m not familiar with the band, I know it’ll be good.  Anything with his name attached is going to be good, and even if it isn’t, it’s going to be fascinating.

You’ve heard my thoughts (and Jez Kerr’s) about Rob before.  You’ve probably seen the FAC:ABC page, R is for Rob Gretton, and heard about some of his more creative approaches to business and to life.  You know how much I respect Rob and his legacy, and how much I want everyone else to know about the incredibly important role he played in punk, post-punk, house, dance, the entire Manchester scene, with hardly any recognition.  Certainly never enough.

If you want to know more about Rob and the things he did, try 1 Top Class Manager, a collection of all of the notebooks and sundry items he kept as manager of Joy Division and New Order.  Or read Peter Hook’s books, The Hacienda: How Not to Run a Club or Unknown Pleasures: Inside Joy Division, both of which have some great stories you won’t find anywhere else.

Or better yet, if you want to know more about Rob and the things he did and the way he changed the world of music, put on a record.  Listen to the musical world he helped to build.

You’ll see what I mean.